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Lulu UK Blog

Welcome to the Lulu UK Blog where we look forward to chatting about our services and the publishing industry and writing in the UK and Ireland.

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Author Guest Posts

Guest Post: How to turn your book into an online course (and why you should!)

 

It’s rewarding to see your book sales increase every month…

But what about when they don’t?

There are a lot of tips out there to help you sell more books, but there’s also a strategy that many successful authors use that lets them stop worrying about whether their sales will go up or down every week.

That strategy?

Income diversification.

Continue reading “Guest Post: How to turn your book into an online course (and why you should!)”

Guest Post: Write and Publish your Memoir with Johnnybio and Lulu

80% of Americans want to write a book; becoming an author is the most desired job in Britain; self-publishing is fueling a writer’s revolution. There has never been a better time to write and publish your memoir.

Continue reading “Guest Post: Write and Publish your Memoir with Johnnybio and Lulu”

Lulu and Writing Magazine’s novel competition winner Ute Manecke shares her thoughts with us

Ute is the lucky winner of the Lulu and Writing Magazine’s joint adult novel writing competition and we asked her to tell us about her day job and also about what inspires her to write. Ute lives in Milton Keynes and works as a librarian at the Open University.

Continue reading “Lulu and Writing Magazine’s novel competition winner Ute Manecke shares her thoughts with us”

Lulu UK Focus on: Best tips for writing fiction

author-bio-jamesLULU UK recently asked published crime author Christina James for her best tips for writing fiction. Christina is also a book editor, a frequent speaker at literary festivals and creative writing groups and also runs writing surgeries. Her first crime novel, In the Family, was published in 2012.

 

Continue reading “Lulu UK Focus on: Best tips for writing fiction”

Meet the four winners of the Brighton Festival, nabokov and Lulu.com ‘Everyday Epic’ short story writing competition – Beki Turner

Together We Can by Beki Turner

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I live in Brighton with my daughter Rosie and my dog Frankie, and I have been here since 1999, moving impulsively from London after ending up at a party in the basement of a record shop.

Brighton is a very special and magical place, and it felt right to base my story here. I wanted to highlight the subject of loneliness, and how people of all ages can be isolated and lonely for a number of reasons. I’ve worked extensively with homeless individuals and quite vulnerable adults over the years.

Everyone has a reason for ending up in Brighton, and sometimes people get lost along the way.  I wanted to show how kindness and coincidence can bring people together and change lives, and how people coming together can be really powerful.

Perhaps the characters in my story will be developed in the future because they all have a story to tell and have the potential to help each other.

I have always loved writing fiction as a hobby and promised myself that if I was one of the winners of the competition, I’d start taking it seriously…

Extract from Together We Can

Gav is drunk. You can see it in his ordinarily militant body; His usual brash march is more of a meaningful flounder as he meanders across the pebbles. Gav opts for an unnecessarily loud exit from the blaring serenity of Brighton beach, striding past the bank holiday families with their middle class picnics, and the hipsters with their disposable barbeques bought with their disposable incomes. They are all being circled and Gav ruffles the seagulls’ feathers as he strides noisily past them.

Tourists and locals huddle around tables, drinking premium beer from flimsy cups as the sun starts to set. Gav turns back to look at the glitter bomb ocean. The sky is as beautiful as a Bierstadt. Gav breathes in the wafts of charred meat, cigarette smoke, aftershave and salt. He listens to the voices shouting over the deafening base lines and the sirens overhead. He pulls his last can of lager out of his pocket. It’s still perfectly cold. He holds the can for a moment, feeling it penetrate his hands and enjoying the sensation. He cracks it open and takes a swig. The beer simmers in his mouth and the taste is wondrous. And at that exact moment, Gav knows it’s a good time to die.

Meet the four winners of the Brighton Festival, nabokov and Lulu.com ‘Everyday Epic’ short story writing competition – David Benedictus

Protected Housing by David Benedictus 

DavidbenedictusI am 79 and I am a theatre director and writer. I have written lots of stuff – too much really – and published about 15-20 novels from The Fourth of June (1962), a scurrilous book about Eton, to Return to the Hundred Acre Wood (2009) an authorised sequel to the Winnie-the-Pooh books.

I am a member of Nightwriters, the writers club in Brighton. My second published novel, You’re a Big Boy Now (1963) was filmed by the (very) young Francis Ford Coppola in New York. I worked for the BBC on many occasions and was commissioning editor for drama series at Channel 4 from 1984-1986. I was a London tour guide and ran a horse-race tipping service for 25 years. The Daily Mail said I was going to marry Princess Anne , but I didn’t. At the BBC I initiated the programme Something Understood.

I have 4 children, a QC, a novelist, a psychotherapist and a theatrical producer. They are amazing. I have also written a number of musicals, one of which was started in 1955 and is still awaiting a full production

I don’t know where the idea for Protected Housing came from but with just a few hours to go before the deadline I thought I ought to do something  and this is what emerged. It’s not like anything I have written before and although it would benefit from a second draft I like its poignant atmosphere.

You can read more about David’s life  here

Extract from Protected Housing

‘It really was the most marvellous garden,’ she said. ’Not that I had anything to compare it with.’

He tried to recall it. ‘It smelled so beautiful. No chemicals of course then, and it rained only when you needed it. I remember a tree,’ he said. ‘Because I used to sit in the shade and make up names for things. Then you came along, and you thought of miraculous names. Like Flutterby.’

‘You improved on that one.’ She smiled. Although her skin was so wrinkled these days, she retained a smile to charm the birds out of the trees. They seldom spoke of those days because they seemed not only to belong to a different age but to two different people entirely.

‘Would you like to go back?’

‘Well, we couldn’t, could we? For one thing, we’d never find it.’

Meet the four winners of the Brighton Festival, nabokov and Lulu.com ‘Everyday Epic’ short story writing competition – Saba Sams

Nice Light by Saba Sams

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Saba Sams just graduated from the University of Manchester with a first class degree in English Literature with Creative Writing. She has now moved back to Brighton, where she was raised. ‘Nice Light’ is her second short story to be published. The first, ‘What Do You Know About Love?’, can be read online at Forge Literary Magazine. A few of Saba’s poems have also appeared in places such as Ink, Sweat and Tears, and Cluny MCR.

Nice Light’ was written in Manchester, on an evening spent missing those hot Brighton summers, when drunks stumble up the Old Steine, and teenagers crowd the cycle paths on the seafront. It’s a story about right now, about living in the present tense, told by a protagonist who can do nothing but cross each bridge as she gets to it. But this story is also about those tiny moments of self-reflection, those glimmers of memory, recognition, or random kindnesses that remind us who we are, or where we’re going. It’s about that time of day when the clouds split to let a little sun through, and a few minutes of nice light remind us that the ordinary can hold something extraordinary.

Extract from Nice Light

One of those days in Brighton where the heat is thick. Everybody lying on the grass watching everybody else. Ice lolly sticks all over the playground. Dogs with their tongues out, dry. Max sleeping next to a crate of Foster’s. No clouds. A teenage boy in a grey t-shirt tapping me on the shoulder. Sweat patches, smiley. Tells me he’s looking for alcoholics. Making a short film for college. Just thought he’d ask around the park. Hot day, you know? Writes his mobile number on a rizla. Don’t have to decide now, just something to keep in mind. He’d appreciate it.

Put the rizla in my back pocket. Remember being seventeen, on a bus. Woman with a sandwich turned around in her seat to tell me to go easy on the drink. She’d seen me on this route before. Couldn’t even walk straight at eleven in the morning. Better kick it before it’s too late. Got a whole life ahead of me. Not a thing to waste, a life. I thanked her for the advice and got off at the next stop to buy four K Ciders. Guess I’ve got it written all over my face.

Meet the four winners of the Brighton Festival, nabokov and Lulu.com ‘Everyday Epic’ short story writing competition – Jenny Gaitskell

On the Threshold by Jenny Gaitskell
My-Wife B&W

 

My default state is daydreaming, and some days I have to go to work and pretend to be sensible, but I write stories whenever possible. While I’m writing, I can go to places I’ll never see, travel in time, meet impossible strangers and be somebody else for a while. When the stories are published, my hope is that readers will imagine something new too. I blog about daydreaming, my creative brain (who calls herself Gonzo) and the unexpected encounters which inspire me. If that sounds like fun, have a look on jennygaitskell.com, or come and say hello on twitter @jennygaitskell.

When I wrote , I’d woken up into one of those mornings when everything feels impossible, even making stuff up. Under those circumstances, obviously the best thing to do was mess about on the internet, and that’s how I found the theme for this anthology, Everyday Epics. Yup, I thought, each day’s a toughie. My page was blank and my mind was blank, except for a woman stuck behind a door. I asked myself, if she could only make herself take that first step, out into the world, what might she try next?

Extract from On the Threshold

On the threshold, Emily told herself: you can become the version of you that’s needed, send another letter, take one more step forward. She took it, and closed her front door quietly behind her, for the sake of neighbours who’d never noticed her. Once again, the street smelled of last night but the sky was pink with possibility. Passing across the square, she recognised, from identical mornings, another early riser. He didn’t see her smile, was too busy examining the inside of his frown. There is always tomorrow, she thought. She was right on time for the park, and ready for the dog walker’s half-hearted salute, which might really be no more than a shaking of the leash. She threw her first ever greeting, but it fell short. The walker didn’t turn to pick it up, didn’t wait to see what might happen next. But a word had been spoken, and that was better than yesterday.

The real story behind the Everyday Epic Storytelling Army Brighton wall mural, sponsored by Lulu.com

A Tiny Gesture with a huge meaning! meet the young woman whose story has inspired Brighton’s new graffiti!

Reproduced from B Journal 30th May, interview and photos by Laura Bohrer

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It is her face that you can see in the centre of the new graffiti on the back wall of Coffee @ 33 in Trafalgar Street because her story is so inspiring. Having moved here from Bournemouth almost a year ago, Charr regularly goes to Cascade Creative Recovery meetings and that’s how she ended up joining Brighton Festival’s very own Storytelling Army. We met Charr after her final storytelling performance on Sunday and she told us what her story is about and what it was like to be part of this exciting project.

So, you are a member of the Storytelling Army. Can you tell me a bit more of what you have been doing there?

We had workshops every Saturday for the last ten weeks, so we have been working with different artists, poets, spoken word artists… I have basically never done writing before, only a tiny little bit. So we have been learning how to write, how to sort of bring things out and how to create a story and how to do a performance with that.

Ok, so you have worked with many different artists. What was it that you liked most about it?

Just the whole experience really. We learned so many different things. We learned about free writing, that’s when you write and you don’t stop to think about what you are writing. I usually overthink and over analyze everything but that sort of turned my brain off. I was struggling to put my story down and then I used the free writing technique and just wrote and that’s how I ended up with my story.

So, all of you wrote stories. Can you explain to me what the stories you wrote were about?

All the stories that we wrote are what we called our everyday epic, so things that people don’t normally stop to think about. Sometimes, people don’t realise that the easiest things can be the hardest. Everyone is always rushing to get somewhere and they don’t stop to think about what’s going on and what things mean to people. We are hoping that by using the everyday epic, we make people realise that.

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And what is it that your everyday epic is about?

My everyday epic is about getting a coffee or tea. I am not used to people’s kindness. So, when someone offers me something, I don’t know how to cope with it and it brings up a lot of emotion. So yeah, that’s what my everyday epic is about, getting a cup of tea or coffee and what it means to me.

Has that happened very often to you, that people offered you a cup of tea or coffee?

Yeah, when I was younger my grandmother used to offer me a cuppa and that meant that, when I was there, I was safe and that I was welcome and that I didn’t have to worry about anything. And until recently that hadn’t really happened with anyone that wasn’t family, but in the last few months especially, people have been offering me tea or coffee and yeah, it means a lot. I have got no self-esteem and I don’t feel worthy of people’s kindness. So, it is nice to know that people care.

When these people offered you a coffee, did you get involved in a conversation with them?

Yeah, I even made life-long friends through that one simple gesture. I have met my best friend through this situation, a couple of them actually.

That is amazing! And during the workshops for the Storytelling Army, did you also get closer with the other participants?

Oh yeah definitely. We all got to know each other a lot better through this way. It was really a brilliant experience and I am really glad to be a part of it.

So, do you think you will pursue the writing?

Yes! I have been bought a notebook, a big notebook, so I will definitely continue writing because of this experience. I haven’t got any ideas yet for what I will write about but I will definitely pick up paper and pen more often.

 What kind of writing do you like most then?

Poetry. I have only ever written a couple of poems but I really like poetry. There are so many different forms. So, even if you are not good at writing normally when it comes to stories, poetry seems to draw something out of people from their lived experiences. For me, poetry seems to be the easiest form of writing.

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So, was your performance for the Storytelling Army also a poem?

No, it wasn’t. I was thinking too much about it, so I just wrote my story out as it is and performed that by just reading it out to the audience.

Was it difficult to perform your story in front of an audience?

The first time, it was really hard because I only finished it that day when I first performed it, so I was still very emotional about it and I was struggling to perform it without crying because there is so much meaning attached to it. Telling people what it means to feel like that isn’t something you do every day. But with every performance I have done, it’s getting easier to perform.

You say you were really emotional. Was that also the kind of reaction people in the audience had when they heard your story?

The first time I performed it, someone came up to me and offered me a cup of tea. That was lovely. And a lot of people have said ‘That’s my line if you would you like a cup of tea!’ It’s lovely that it makes people feel like that. So I really got good feedback on it and I got a free cup of tea out of it which was nice.

So what do you prefer, tea or coffee?

It depends on my mood, but generally a coffee. Black coffee, no sugar, no milk.

And what are your plans for the future?

I am not sure, to be honest. There is a creative writing class at Cascade on Wednesdays, so I think I’m gonna start attending that and get more involved with writing. I am also involved with drama at Cascade. We have done a few plays there, like one for the Brighton Fringe Festival, and we will probably do another performance in the near future but I am not sure yet what that will be. So yeah, it opened up a lot of opportunities for me that weren’t there a year ago.

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